We know Carine Roitfeld not just as Editor in Chief of French Vogue, but as a style icon. Now, after working in the magazine for a decade, the 56 year old woman decided to embark on a new journey (though she’s not yet sure what that is) and left for good. Why? This is her answer.
“In two months, it will be 10 years since I joined Vogue. When we published our 90th anniversary issue in October, it felt almost like a double anniversary for me. I knew I wasn’t really going to stay much longer. I think it’s good to get out while you’re ahead, and I think right now, Vogue is outstanding. I’m very proud of it. I have an exceptional team.
I have always been a freelancer, so when I was hired 10 years ago, I found it very difficult to have an office, an assistant, a schedule, fixed vacations. But at the same time, it was such a huge job that I said yes. It’s been an incredible adventure, but maybe in my heart and soul, I am more of a freelancer. I’m surprised I even stuck it out this long, but what made me stay is having a boss like Jonathan [Newhouse], who is an incredible man who gave me total freedom, and God knows I pushed the boundaries.”
Roitfeld told Women’s Wear Daily about her plan. “I don’t really have any, because I have always done things on a whim. I have two issues to bring to print, February and March, and will get the ball rolling on April. So my first order of business is getting all this work done by the end of January or maybe early February. I’m not announcing that I am leaving for a new job with a magazine or as a consultant for a large luxury brand. For the moment, I am just taking it one step at a time and leaving behind me an exceptional team. That is what I am the most proud of, having put together this team and being able to come to work every day and being happy to see the people I work with. I have worked in other magazines, so I know this is extremely rare.”
She said she had been mulling the decision since summer, and was leaving on a high note after French Vogue’s 90th anniversary issue in October, which was feted at a masked ball during Paris Fashion Week that drew the industry’s top brass.
Now attention has turned to who will step into her shoes. Among the frontrunners being talked about in industry circles is French Vogue’s fashion director, Emmanuelle Alt, Roitfeld’s right-hand woman, though there are doubts about whether she would want to trade in styling to shoulder bigger responsibilities at the magazine.
Also being touted are Virginie Mouzat, the intellectual fashion editor of French daily Le Figaro who recently published her second novel; television presenter Alexandra Golovanoff, who specializes in economics and fashion, and Aliona Doletskaya, who has been without a job since resigning in July as editor in chief of Russian Vogue.
Xavier Romatet, chairman of Condé Nast France, declined to comment on rumored candidates. “Of course I regret Carine’s decision, even if I understand it,” he said in a statement published on Web site vogue.fr.
Roitfeld phoned close friends including Riccardo Tisci, Hedi Slimane, Azzedine Alaïa, Alber Elbaz and Delphine Arnault on Thursday night to break the news of her impending departure herself. But the announcement on Friday morning came as a shock to her staff, many of whom were reduced to tears.
Tisci, the artistic director of Givenchy, said he was confident Roitfeld would remain a major force in fashion.
“Carine is completely unique. She has a revolutionary way of working, and her influence is and will continue to be present at every level of the fashion industry. She is one of the most courageous, elegant, avant-garde and bold women — a true visionary,” he said.
An industry insider who has worked with leading luxury brands said Roitfeld’s departure marked the end of an era.
“One always had the feeling that French Vogue was a bit like a family photo album. The tribal, ultrahip attitude of the magazine perhaps no longer fits with the zeitgeist at a time when fashion is global,” said the source.
Jonathan Newhouse, chairman of Condé Nast International, praised Roitfeld’s tenure. “Under her direction, Vogue Paris has achieved record levels of circulation, advertising and editorial success,” he said in a statement. “Carine herself has become widely known as an icon of style, fulfilling the role with charm and graciousness. She has become a giant in her profession.”
According to estimates, French Vogue’s circulation rose nearly 45 percent between 2000 and 2010. Newhouse added that a new editor for French Vogue would be named in coming weeks.
Romatet, who revealed recently that the group would launch a new magazine in France in 2012, is said to be pushing editors to feature more timeless fashion.
One industry insider speculated Roitfeld was under increasing pressure to feature advertisers in her shoots. “She only really published the clothes she liked,” the source said. Others pointed to her lack of interest in the Web as a handicap.
Roitfeld was a controversial choice from the start, having made her mark as stylist and muse to Tom Ford during his Gucci years, when together they popularized “porno chic.” She brought that freedom of tone to French Vogue, whose fashion editorials frequently feature nudity and smoking.
In recent years, she has come under fire from critics who allege that she has continued to work as a consultant for brands on the side, creating a conflict of interest with her role at the magazine — charges Roitfeld firmly denied.
Despite those detractors, she has consistently set the tone both on and off the runway. The advent of street style bloggers has only reinforced her status as a fashion icon, culminating in repeated speculation that she would replace Anna Wintour as editor in chief of Vogue in the U.S. Roitfeld has always dismissed that rumor as unfounded, even as it created tension between the two female editors. Industry observers say she now could take on a new editorial position at a fashion magazine or return to consulting for luxury brands — perhaps even for Ford, who recently made a comeback on the women’s wear scene.